Sony Venice 2

Featuring an impressive 16-stop dynamic range, internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, and an interchangeable sensor with updated usability and body design, the 8K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery.
Day rate: $1800
Week rate: $5400

Sony Venice 1

The VENICE camera is Sony's first full-frame sensor high-end digital cinematography camera. It is unmatched in the Sony range for the wide array of recording formats it supports and features Dual Base ISO 500/ISO 2500.
Day rate: $1350
Week rate: $4050

Designed for highly mobile, solo cine-style shooting, the Sony BURANO 8K Digital Cinema Camera offers up to 8.6K video capture in a compact, full-frame form. Unique in-camera stabilization for both E- and PL-mount lenses, Fast Hybrid Autofocus, and an easily adjustable ND filter enhance single-user capture and seamless image matching, making the CineAlta BURANO camera ideal for use as your VENICE B or C camera.
Day rate: $800
Week rate: $2400

Compact, lightweight, and self-contained - ARRI ALEXA Mini is the small and versatile allrounder in the ARRI camera family.
The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, ALEXA Mini comes with a series of interchangeable lens mount, allowing the use of B4 video, EF mount stills lenses, or with the even ARRI Signature Primes with the LPL mount for ALEXA Mini.
Day rate: $1050
Week rate: $3150

Whether you're shooting documentaries, events, reality TV, education, or corporate productions, the PXW-FX9 XDCAM 6K Full-Frame Camera System from Sony has you covered with its powerful and flexible 4K interchangeable lens camera system. The PXW-FX9 features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field. The camera's E-mount is machined from stainless steel and allows you to use E-mount lenses.
Day rate: $400
Week rate: $1200

The Sony FX6 Full-Frame Camera was developed to offer versatile, cine-style imaging in a truly compact form. With the ability to capture up to 15+ stops of dynamic range, Sony's S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture and to nimbly take on documentary, gimbal, and drone shoots on its own. The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes.
Weighing just under 2 lb, the FX6 body is a full 2 lb lighter than the FX9 and measuring 6 x 4.6", it packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus, both auto and manual ND filter settings for quick exposure compensation, and a 3.5" LCD monitor that boasts timesaving touchscreen access to key menu settings and versatile positioning for comfortable operating.
Day rate: $350
Week rate: $1050

With a compact design for solo shooters, for travel applications, and to serve as an ideal B cam, the Sony FX3 borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3 features all the imaging attributes you'd expect from this class but sports a new lightweight, handheld form with a streamlined profile and a "cage-free" design offering the ability to secure various accessories directly to the camera body.
Day rate: $260
Week rate: $780

The DSMC2® GEMINI® Baeryless Camera Kit gives you the core components to produce cinema image quality. For flexibility in any situation, GEMINI is RED’s highest sensitivity sensor to date and offers significantly increased performance in low-light settings and improved performance in shadows. A DSMC2 GEMINI is capable of data write speeds of 300 MB/s, and can simultaneously record in REDCODE RAW and Apple ProRes or Avid DNxHR/HD. With features like cable-free peripherals, integrated media bay, wireless control, and more—DSMC2 GEMINI is also compatible with a growing arsenal of modules and accessories—from RED and other Third-Party manufacturers. Tack on interchangeable OLPFs and lens mounts and DSMC2 GEMINI gives you the ulmate control over your footage.
Day rate: $650
Week rate: $1,950

RED has taken fresh steps with the release of the KOMODO 6K Digital Cinema Camera by bringing their legendary image quality and color science into an ultracompact, all-in-one design that weighs just 2.1 lb and measures about 4 x 4 x 4". Key to achieving this goal was the use of the Canon RF lens mount and the KOMODO 19.9MP Super35 CMOS sensor which boasts Global Shutter technology. This sensor can create images with 16+ stops dynamic range and eliminates rolling shutter artifacts. Users can also be certain they are getting RED quality thanks to the ability to record up to 6K at 40 fps, 5K at 48 fps, 4K at 60 fps, and 2K at 120 fps in REDCODE RAW for incredible flexibility in post-production.
Day rate: $550
Week rate: $1,650

KODAK Super 8 Camera

Kodak has spent years developing a modern film movie camera and the result of all that work is the Super 8 Camera. Blending modern design and conveniences with analog filmmaking, this Super 8 Camera is a brilliant revival of the classic moviemaking aesthetic.
Day rate: $350
Week rate: $1050